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Muzika

Jelena Bodražić naša operska pevačica u svetu – kad pusti glas mezzosopran iz Regensburga

Redakcija Bloga

 

 

Naša talentovana operska pevačica u muzičkom svetu

 

Jelena Bodražić je rodjena i odrasla je u Srbiji. Prvi angažman je dobila u Srpskom Narodnom Pozorištu u Novom Sadu, potom sledi Narodno pozorište u Beogradu, i Kamerna Opera“Madlenianum“ – pevajući ulogu Fidalme u „Tajnom Braku“ Domenika Cimaroze i ulogu Lukrecije u „Nasilju nad Lukrecijom“ Bendjamina Britna.

Zatim nastavlja Internacionalnu karijeru od 2000 godine u Nemačkoj (Wiesbaden, Schwerin, Mainz, Regensburg, Augsburg, Dessau ect), Austriji (Linz, Volks Oper Wien, Erl), Švajcarskoj (Winterthur, Bern), Italiji (Roma, Bozen, Modena, Piacenza, Ferrara) Francuskoj (Niza ) i to sa Dramskim mezosopranskim fahom. Napomenimo samo neke od uloga: Grofica Gesviz, Azucena, Ulrica, Waltraute, Sigrune, Amadigi di Gaula, Fenena, Preziosilla, Herodias.

Pored Operske bine vrlo je prisutna i na koncertnom podijumu izvodeći Solo pesme kompozitora kao što su: Schubert, Schumman, Strauss, Debussy, Rahmaninov, Brahms, Mahler, Wagner, De Falla, Poulanc. I Oratorijumska dela kao: Verdijev, Mozartov, Dvoržakov Requiem. Simfonije – A. Skrjabina i G.Mahlera.

Jelena je dobitnik više nagrada i stipendija, izdvojili bi stipendiju Melanije Bugarinovic i Mire Kalin.

Saradjivala je sa dirigentima kao Gustav Kuhn, Niksa Bareza, Michael Hoffsteter, Ralf Reuter, Marc Piolet i drugi.

Sledeće sezona beogradska publika će imati priliku da je čuje na koncertu sa Beogradskom Filharmonijom.

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Jelena Bodrazic was born in Bačka Palanka (Serbia) and had studied singing at the Art Academy in Novi Sad and Belgrade. At 22 years she made her debut at the National Theatre in Novi Sad as Orlowsky („Bat“). At the National Theatre in Belgrade, she appeared as Lola, Mamma Lucia, Olga and Santuzza. In the European premiere of R. Words „The Crucibel“ she sang the role of Tituba. At the opening of the chamber opera Madlenianum in Belgrade, she appeared as Fidalma in D. Cimarosa’s „Il matrimonio segreto“. The role of Lucretia in Benjamin Britten „The Rape of Lucretia“ gave her international breakthrough.

On Anhalt Theatre Dessau she got her first solid treaty in Germany. At the Schwetzingen Mozart Festival, she performed with the theater in „The Marriage of Figaro.“ She sang the title role in the German first complete performance of „Amadigi di Gaula“ in Berlin. Her first roles were in a Wagnerian opera Waltraute and Sigrun („The Valkyrie“), Staatstheater Wiesbaden.

In the following years, lots of Wagner (Erda, Waltraute), Strauss (1st maid, Clytemnestra) and Verdi (Maddalena, Fenena, Ulrica, Preziosilla, Azucena, Emilia, Amneris, Eboli) and Countess Geschwitz and the mother (The Tales of Hoffmann ) at the opera houses in Regensburg, Schwerin, Linz, Nordhausen, Bolzano, Modena, Piacenza, Nice, Ferrara, Bern, the Vienna Volksoper and the Tyrolean Festival Erl. Also, she participated in the Ferragosto Festival in Rome, and as a Cavalleria Rusticana in Bad Schwalbach and Idstein, where her partner was Eduardo Villa from Metropolitan Opera.

Jelena Bodrazic celebrates great success as a concert singer with a B-minor Mass, Stabat Mater (Pergolesi and Dvorzak) and Requiem (Verdi). She worked with conductors to Prof. Gustav Kuhn, Rubens Silva, Manlio Benzi and Leopold Hager.

In the 2011-12 season following a commitment in Salome-Herodias and Page at the Opera Houses in Bolzano, Modena and Piacenza. This year she sings Brangene (cover) in Erl Tyrolean Festival in Tristan und Isolde by Richard Wagner.

 

At the invitation of Maestro Widjaja she has sang Requiem (Verdi) with the Dubrovnik Symphony Orchestra in Dubrovnik and also at the invitation of Maestro Bojan Sudjic with the Belgrade Symphony Orchestra she will sing Marie of Egypt in 8th Symphony of Gustav Mahler in Belgrade.

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Jelena Bodrazic Mezzosopran

Opera „Die Walkuere“, kompozitor Rihard Vagner, III čin, glas Waltraute

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Jelena Bodrazic – Gustav Mahler Simphony no. 8 “Simphony of thousands“

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3 komentara

  • Thank you so much that your write abouth such Artist.
    Me and my Husband we heard this voice in Dubrovnik in Life.
    For as its like that we come in the years old of opera, like that we hear the voices like Barbieri, or Simionato somtnig unic.But of course she have so much time for her development and maturation.We wish her great succes and fame for the right one!
    Cathrin Marvich

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